Luca Marcelli Pitzalis, b. 1995 in Cagliari, IT.

Lives and works in Berlin, DE.


LMP’s research emerges where artistic practice and daily life meet and blur, shaping and staging an identity that moves between performativity and authenticity, intimacy and spectacle.Through staged performances or improvised interactions, email exchanges, installations, goodnight videos sent overnight to friends, and a multiplicity of languages, the artist creates moments of closeness and intimacy with the public. These situations are conceived as ways of holding space and exploring ways of being together that begin with shared vulnerability, attention, and presence. Using introspection, relation, intuition, unconscious currents, and dreams as methodological tools, the artist places human sensitivity at the center of his practice. In doing so, he affirms the power of destabilization, unpredictability, ambiguity, and transformation. Within this framework, the artist proposes a counterpoint to the regimes of traceability, predictability, and reproducibility that not only govern economic structures and shape contemporary identities, but also regulate the art system itself. For the artist, art is not about the production or sale of works, but about living an artistic life: freeing oneself and inspiring others to do the same, participating in a process of collective liberation.

© 2026 Luca Marcelli Pitzalis. All rights reserved.

© 2026 Luca Marcelli Pitzalis. All rights reserved.

© 2026 Luca Marcelli Pitzalis. All rights reserved.

Luca Marcelli Pitzalis, b. 1995 in Cagliari, IT.

Lives and works in Berlin, DE.


LMP’s research emerges where artistic practice and daily life meet and blur, shaping and staging an identity that moves between performativity and authenticity, intimacy and spectacle.Through staged performances or improvised interactions, email exchanges, installations, goodnight videos sent overnight to friends, and a multiplicity of languages, the artist creates moments of closeness and intimacy with the public. These situations are conceived as ways of holding space and exploring ways of being together that begin with shared vulnerability, attention, and presence. Using introspection, relation, intuition, unconscious currents, and dreams as methodological tools, the artist places human sensitivity at the center of his practice. In doing so, he affirms the power of destabilization, unpredictability, ambiguity, and transformation. Within this framework, the artist proposes a counterpoint to the regimes of traceability, predictability, and reproducibility that not only govern economic structures and shape contemporary identities, but also regulate the art system itself. For the artist, art is not about the production or sale of works, but about living an artistic life: freeing oneself and inspiring others to do the same, participating in a process of collective liberation.